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The Gangs of Zion

A Black Cop's Crusade in Mormon Country

Audiobook
1 of 1 copy available
1 of 1 copy available
New York Times bestselling author of Black Klansman, Ron Stallworth, returns with another firsthand account of trailblazing police work in the most unlikely place for a Black cop in the '90s.
Determined to pursue his passion for undercover work wherever it leads, Ron Stallworth finally lands in Salt Lake City, Utah. Once again, he's an outsider—not only as a Black man on a mostly white police force but also as an unapologetic nonbeliever in a state dominated by the Church of Jesus Christ of Latter-Day Saints. But soon after his first drug bust in the Beehive, Stallworth makes a startling discovery—Bloods and Crips are infiltrating Mormon Country, threatening to turn the deeply conservative community into a hotbed of crime. Kids are bombing homes while carrying pocket versions of the Book of Mormon, yet his fellow cops are in denial that gangs are wreaking havoc in their Christian town.
Now Stallworth has a new mission. Whether facing off with skinheads at a downtown bar or schooling white Crips blasting "F*ck tha Police," he is intent on stemming the tide of gangs into the state. But those he expected to be his allies either have their heads in the sand or their own agendas—from the racist Mormon legislator to the community activist exploiting a fatal gang incident to spread paranoia over an imaginary race war.
As he butts heads with these so-called leaders, Stallworth also realizes that gangsta rap has the key to the g-code. He becomes obsessed with—even defensive of—the music he once loathed and puts himself on the front lines of America's culture war. Now he's spitting uncensored lyrics before Congress and taking the stand in the 1993 murder case that puts hip-hop on trial.
But the more Stallworth speaks truth to power, the more determined the gatekeepers in Utah are to silence him, and not even twenty-three years of police work could prepare him for how low they would stoop.





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    • Library Journal

      April 1, 2024

      Stallworth, the first Black detective in the Colorado Springs Police Department and the author of Black Klansman (which was adapted into a movie by Spike Lee and Jordan Peele), writes about his service in Salt Lake City, UT as an undercover police officer. There he finds the white police force unwilling to admit that Bloods and Crips gang members are moving in. With a 75K-copy first printing. Prepub Alert.

      Copyright 2024 Library Journal

      Copyright 2024 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      July 8, 2024
      Stallworth follows up Black Klansman with another fascinating account of his undercover police work. In 1989, a decade after his infiltration of the Ku Klux Klan in Colorado Springs, Stallworth joined the Utah Department of Public Safety to help combat the state’s gang problem. Two years before Stallworth began his work in Utah, the LAPD had warned state officials that members of the Bloods and the Crips had started operations there; by the time Stallworth arrived, the rival gangs had set aside their differences to partner on crack cocaine sales in Salt Lake City. As Stallworth infiltrated the gangs with the help of a special task force, he discovered that Utah’s federally funded Job Corps was skimping on background checks for applicants, and thus inadvertently flooding the state with gang members. Stallworth wrings gripping drama from his fight to expose the holes in the program, which earned him pushback from community leaders and led him to testify before the U.S. Senate in 1995. Readers will be astounded. Agent: Sarah Passick, Park & Fine Literary.

    • Kirkus

      August 1, 2024
      Mormon Crips? Yes, courtesy of the collision of suburban ennui and "gangsta" culture via West Coast rap acts. "I inhabit two identities that most people view as contradictory: I am both a Black man and a cop." So writes Stallworth, whose improbable adventures as a Colorado detective yielded the book and filmBlacKkKlansman. Of this episode he writes, modestly, "I wasn't put in narcotics because I was exceptional. I was put in narcotics because they needed a Black face to penetrate Black environments." After running afoul of higher-ups, Stallworth went to Arizona, agreed with Public Enemy's assessment of the place (they hated it), and moved north to Salt Lake City, where he discovered a thriving Mormon subculture of Crips and Bloods. In that milieu, Stallworth did prove himself exceptional: he was able to make sweeping busts largely because the other cops were blissfully unaware of or wanted nothing to do with the problem. It may seem a surprise that Mormon Utah should be a hotbed of gangbanging and drug-trade turf wars, but by Stallworth's account the land of the Saints is awash in crack, meth, and various other non-caffeinated substances. One surprise for Stallworth was the relevance and lure of gangsta rap, which, growing up in the '60s, he wasn't especially attuned to. He soon became an adept, with a perhaps surprising understanding of why a song like "Fuck Tha Police" should resonate--and why the rappers had a point. "The more I learned and lectured, the more I defended the artists' freedom of expression," Stallworth writes. That didn't dampen his enthusiasm for getting the job done until, once again, he ran athwart of the suits upstairs, about which he writes at length and with considerable--and understandable--frustration. A provocative memoir that illustrates, as if there were any question about it, how strange the world is.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

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