Voluntary Madness

September 29, 2008
Vincent's first trip to a mental institution—to which the writing of Self-Made Man
drove her—convinced her that further immersion would give her great material for a follow-up. The grand tour consists of voluntary commitments to a hospital mental ward, a small private facility and a boutique facility; but Vincent's efforts to make a big statement about the state of mental health treatment quickly give way to a more personal journey. An attempt to wean herself off Prozac, for example, adds a greater sense of urgency to her second research trip, while the therapists overseeing her final treatment lead her to a major emotional breakthrough. Meanwhile, her fellow patients are easily able to peg her as an “emotional parasite,” though this rarely stops them from interacting with her—and though their neediness sometimes frustrates her, she is less judgmental of them than of the doctors and nurses. The conclusions Vincent draws from her experiences tend toward the obvious (the better the facilities, the better chance for recovery) and the banal: “No one can heal you except you.” Though keenly observed, her account never fully transcends its central gimmick.

March 30, 2009
In narrating Vincent's infiltration (and exposé) of three mental health institutions, Tavia Gilbert, the very versatile performer of both children's and adult audios, strikes all the right notes. She neutrally notes the author's observations of the various environs and delivers an outraged denunciation of the subhuman living conditions and sympathy for the hapless inmates, who, unlike Vincent, rarely if ever escape the system. Gilbert's tone is firm and brisk; a perfect vessel for the depressing litany of indignities to which the mentally ill are subjected. The skillful narration will help even the queasy wend their way to the end of this important work. A Viking hardcover (Reviews, Sept. 29).

January 4, 2009
In narrating Vincent's infiltration (and exposé) of three mental health institutions, Tavia Gilbert, the very versatile performer of both children's and adult audios, strikes all the right notes. She neutrally notes the author's observations of the various environs and delivers an outraged denunciation of the subhuman living conditions and sympathy for the hapless inmates, who, unlike Vincent, rarely if ever escape the system. Gilbert's tone is firm and brisk; a perfect vessel for the depressing litany of indignities to which the mentally ill are subjected. The skillful narration will help even the queasy wend their way to the end of this important work. A Viking hardcover (Reviews, Sept. 29).