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Daughter of the Dragon

Anna May Wong's Rendezvous with American History

ebook
1 of 1 copy available
1 of 1 copy available

One of the Atlantic's "Books to Get Lost in This Summer"
Best Books of August 2023: New York Times Book Review, Christian Science Monitor, InsideHook, BookRiot, WNET AllArts, Arlington Magazine

A trenchant reclamation of the Chinese American movie star, whose battles against cinematic exploitation and endemic racism are set against the currents of twentieth-century history.

Born into the steam and starch of a Chinese laundry, Anna May Wong (1905–1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood's most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos—with a touch of defiance—"Orientally yours." Now, more than a century after her birth, Yunte Huang narrates Wong's tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wong's rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a "Dragon Lady," "Madame Butterfly," or "China Doll," Huang's biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wong's all-too-brief fifty-six years on earth.

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    • Library Journal

      March 1, 2023

      In Daughter of the Dragon, Huang--an Edgar Award winner and National Book Critics Circle Award finalist for the biography Charlie Chan--reconstructs the life of Chinese American movie star Anna Mae Wong, also the subject of novelist Gail Tsukiyama's forthcoming The Brightest Star (HyperVia, Jun.). Prepub Alert.

      Copyright 2023 Library Journal

      Copyright 2023 Library Journal, LLC Used with permission.

    • Booklist

      June 1, 2023
      Anna May Wong (1905-61) was the epitome of Far Eastern allure and mystery during Hollywood's early silent-film era, a status she, unlike many other actors, successfully maintained when the medium transitioned to talkies. Born in poverty to Chinese laundry workers in Los Angeles, Wong was in thrall to the film industry that was burgeoning, quite literally, at her doorstep. With flawless skin, wide, beseeching eyes, and enigmatic, languid expressions, Wong was cast in stereotypical roles calling for female servitude and sex appeal. Her hidden strengths and personal convictions were also detected by the camera's eye, and she garnered acclaim in films that addressed the complexity inherent in human relationships. In a deeply researched and far-reaching biography, professor and award-winning biographer Huang positions Wong's career achievements in America and abroad against the geopolitical challenges of the 1930s, when Europe was on the brink of WWII and a conflagration was brewing between Japan and Wong's ancestral China. The result is a thorough, multilayered history of the too brief yet impactful life of a pioneering Chinese American woman artist facing racism and sexism in tumultuous times.

      COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.

    • Kirkus

      June 1, 2023
      An attentive biography of an underrated Hollywood icon. Following his first two books on significant Chinese American figures, Charlie Chan and Inseparable, Huang turns his attention to Anna May Wong (1905-1961). The author capably tracks Wong's life and career, creating a tender, fair portrait of an important performer. Huang elegantly depicts the Wong family and their laundry business, diving into the historical significance of Chinese laundries, and he presents a concise yet rich history of Asian American culture and politics at the turn of the century--specifically, how Asian Americans were treated in America and how it affected the community and Wong's career. At the time, the "exoticism" of China and the East had White Hollywood enraptured, and many producers and directors used Chinatown in Los Angeles as a primary set to shoot films. Wong used this to her advantage, sneaking on to sets and watching film crews as a young girl. Huang illustrates details about Wong with passion and fervor, clearly delineating her struggles and achievements. When Wong succeeds, readers will rejoice, and when her circumstances limit her, readers will feel her sorrow. Though Wong was a controversial figure for her contribution to the negative "Dragon Lady" stereotype for Asian women via her titular role in Daughter of the Dragon, Huang paints his subject in a compassionate light. During this time period, Hollywood was rife with anti-Asian racism, which had a profound effect on the young actor trying to fulfill her dreams. Huang neither forgives nor condemns her actions. Rather, he offers an in-depth exploration of her character, bringing forth her inner thoughts and feelings, many of which were expressed in her diaries and interviews. Wong had an incredible yet short life, and the author documents it in an evenhanded, bittersweet manner. An intimate Hollywood profile perfect for students of film and pop culture.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      Starred review from June 19, 2023
      Huang (Inseparable), an English professor at the University of California, Santa Barbara, concludes his Rendezvous with America trilogy with a vital account of the life of Anna May (née Liu Tsong) Wong (1905–1961), the first Chinese American movie star, that masterfully chronicles her “spectacular rise from laundryman’s daughter to global celebrity against the backdrop of a world riven by racism, bigotry, and injustice.” Wong made her first onscreen appearance as an extra in The Red Lantern (1919) and three years later landed a breakthrough role as the Madame Butterfly–esque lead in The Toll of the Sea. Huang details how racism shaped Wong’s career, noting that she was often “considered too Chinese to play a Chinese” and lost roles to white actors in yellowface who conformed to Asian stereotypes, most notably getting passed over for the lead role in The Good Earth (1937) in favor of white actor Luise Rainer. Additionally, anti-miscegenation prohibitions kept Wong from starring roles in romances because she wasn’t allowed to kiss a white man onscreen. Huang’s sympathetic treatment brings out the nuances of Wong’s story, highlighting how she by turns acceded to and bristled against the stereotypes Hollywood asked her to play, a dynamic captured in Wong’s sardonic practice of signing publicity photos “Orientally yours.” It’s a fascinating—and long overdue—close-up of a Hollywood trailblazer. Photos.

    • Library Journal

      Starred review from July 1, 2023

      Situating a huge star within the even larger histories of Hollywood, the United States, and the world, Huang (Inseparable: The Original Siamese Twins and Their Rendezvous with American History) tells the full story of Anna May Wong (1905-1961), considered the first Chinese American film star in Hollywood. Her career began in silent films; later, in the 1930s, despite rampant Hollywood racism, she starred in a number of films including 1937's Daughter of Shanghai. In 1951, she starred in the detective TV series The Gallery of Madame Liu-Tsong. Her legacy and life outside of her films are as fascinating as the made-up stories from movie magazines printed during her career. While Wong's life has recently been explored in historical fiction (including Gail Tsukiyama's The Brightest Star and Amanda Lee Koe's Delayed Rays of a Star), most readers will find her real story even more engaging. Huang has created a page-turner nonfiction book with this biography by fleshing out the world in which Wong lived. VERDICT Huang's lively, surprising, and all-encompassing biography of Anna May Wong should be on everyone's summer reading list. A must for libraries with strong film and pop culture collections.--Emily Kubincanek

      Copyright 2023 Library Journal, LLC Used with permission.

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