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The Secret Life of John le Carre

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1 of 1 copy available
1 of 1 copy available

The extraordinary secret life of a great novelist, which his biographer could not publish while le Carré was alive.

Secrecy came naturally to John le Carré, and there were some secrets that he fought fiercely to keep. Adam Sisman's definitive biography, published in 2015, provided a revealing portrait of this fascinating man; yet some aspects of his subject remained hidden.

Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over five decades. To these relationships he brought much of the tradecraft that he had learned as a spy - cover stories, cut-outs and dead letter boxes. These clandestine operations brought an element of danger to his life, but they also meant deceiving those closest to him. Small wonder that betrayal became a running theme in his work.

In trying to manage his biography, the novelist engaged in a succession of skirmishes with his biographer. While he could control what Sisman wrote about him in his lifetime, he accepted that the truth would eventually become known. Following his death in 2020, what had been withheld can now be revealed.

The Secret Life of John le Carré reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. "Now that he is dead," Sisman writes, "we can know him better."

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  • Reviews

    • Library Journal

      May 1, 2023

      A National Book Critics Circle Award--winning biographer, Sisman here reveals The Secret Life of John le Carr�, sharing details--particularly regarding affairs--that he could not reveal while writing a biography of le Carr� during his lifetime. Prepub Alert.

      Copyright 2023 Library Journal

      Copyright 2023 Library Journal, LLC Used with permission.

    • Kirkus

      August 1, 2023
      A "supplement" to Sisman's 2015 biography that focuses on material his subject did not want to see published during his lifetime. David Cornwell (1931-2020), who took the pen name John le Carr� for reasons that are still unknown, was conscientious, hardworking, literate, inventive, witty, and capable of great generosity, especially to the women he pursued while married to one of his two legal spouses. Aware but unapologetic about his own failings, he blamed them on a father who had misbehaved shamelessly and a mother who abandoned the family when he was a child, leaving him, as Sisman observes, "with a lifelong mistrust of women" who had even less reason to trust him. Arguing that Cornwell's serial womanizing was not a distraction from his copious output but an active driver of it, Sisman demonstrates how betrayal was the leitmotif of both the novelist's life and his art and that however completely he depended on his wives, he depended on a new woman to serve as his inspiration for each book. Anyone familiar with le Carr�'s oeuvre will know that that's an awful lot of women. Of the three affairs Sisman traces in the greatest detail, only one of them--Cornwell's extended relationship with researcher Sue Dawson--persuasively bears out his first argument, as analogies between Cornwell's paranoid behavior and le Carr�'s obsession with spycraft multiply throughout its course. Sisman makes a more convincing case for his second argument, tracing the author's professional decline to his inability to attract muses for the increasingly formulaic novels he continued to write. Sisman's return to the "secret annexe" of material Cornwell's son urged him to leave out of his earlier biography is given even greater interest by his unusual candor in considering the ethical implications of his tell-all coda for Cornwell, his many lovers, and biographical projects generally. A one-of-a-kind revisiting of a wondrously productive life lived at the expense of two wives and many lovers.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      September 11, 2023
      National Book Critics Circle Award winner Sisman delivers a revealing “supplement” to his 2015 authorized biography of John le Carré (1931–2020), divulging how the espionage writer’s extramarital affairs influenced his novels. Reporting that le Carré asked that mention of his infidelity be withheld until after his death, Sisman explains he can now disclose what he learned from private correspondence and interviews with some of the many women le Carré seduced while he was married. Le Carré believed pursuing women stimulated his creativity, Sisman contends, and he describes how the writer’s furtive conduct sometimes rivaled the spycraft in his novels, with “codes, false names, dead letter boxes, and safe houses” for liaising with women. Among the paramours discussed are American journalist Janet Lee Stevens, who likely served as the inspiration for the eponymous hero of The Little Drummer Girl, and Sue Dawson, who claims that some of her conversations with le Carré made their way into A Perfect Spy, albeit between the protagonist and “his wife, not his mistress.” Sisman uncovers a previously hidden and discomfiting dimension of le Carré, and remains remarkably unflinching when addressing the implications: “Does it lower him in our estimation to know that he lied to his wife? Yes, of course it does.” Future accounts of le Carré’s life will have to wrestle with the bombshells dropped here.

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