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Platinum Bible of the Public Toilet

Ten Queer Stories

ebook
1 of 1 copy available
1 of 1 copy available
Platinum Bible of the Public Toilet is the first English-language collection of short stories by Cui Zi'en, China's most famous and controversial queer filmmaker, writer, scholar, and LGBTQ rights activist. Drawing on his own experiences growing up in socialist and postsocialist China, Cui presents ten queer coming-of-age stories of young boys and men as they explore their sexuality and desires. From a surreal fairytale depicting a ragtag crew of neighborhood boys in the throes of sexual awakening to a chronicle of the gender-bending and homoerotic entanglements of university students to romantic love triangle erotica to a story that examines teacher-student love and the norms of sex and age, Cui centers queer sexuality as a core part of human experience. Richly imaginative and vividly written, Platinum Bible of the Public Toilet portrays the emergence of queer cultures in postsocialist China while foregrounding the commitments to one's erotic and passionate attractions even as they lead to cultural transgressions. This volume includes a preface by and an interview with the author.
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    • Publisher's Weekly

      December 18, 2023
      Filmmaker and novelist Cui makes his English-language debut with a buoyant collection of queer coming-of-age stories. In “Uncle’s Elegant Life,” the young narrator idolizes his androgynous uncle, while “Intrigue Like Fireworks” finds a naive teenager’s world rocked when he learns about ejaculation. Cui’s extensive work as a filmmaker is reflected in the form of his fiction, which unspools in short, numbered paragraphs like quick cuts. “Men Are Containers” centers on a group of men who scheme to overthrow rigid ideas of attraction. The title story exuberantly follows the wide-ranging passions of Guigui, a TV host dedicated to showcasing the role of public toilets in international politics, literature, economics, and art. The volume’s abundant supplementary material includes meticulous footnotes, a lengthy interview with the author, and an appendix that illustrates the diversity of his artistic output. Throughout, Cui’s impulses to provoke the forces that repress sexuality and uphold literary conventions are grounded in joie de vivre. Reminiscent of the writings of Pier Paolo Pasolini, this is an indelible portrait of an artist.

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