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The Infatuations

Audiobook
1 of 1 copy available
1 of 1 copy available

From the award-winning Spanish writer Javier Marías comes an extraordinary new book that has been a literary sensation around the world: an immersive, provocative novel propelled by a seemingly random murder that we come to understand—or do we?—through one woman’s ever-unfurling imagination and infatuations.
At the Madrid café where she stops for breakfast each day before work, María Dolz finds herself drawn to a couple who is also there every morning. Though she can hardly explain it, observing what she imagines to be their “unblemished” life lifts her out of the doldrums of her own existence. But what begins as mere observation turns into an increasingly complicated entanglement when the man is fatally stabbed in the street. María approaches the widow to offer her condolences, and at the couple’s home she meets—and falls in love with—another man who sheds disturbing new light on the crime. As María recounts this story, we are given a murder mystery brilliantly reimagined as metaphysical enquiry, a novel that grapples with questions of love and death, guilt and obsession, chance and coincidence, how we are haunted by our losses, and above all, the slippery essence of the truth and how it is told.

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    • AudioFile Magazine
      The natural pacing so effortlessly applied by performer Justine Eyre lends this novel a tone of easy storytelling that lulls one into book-listening bliss. Her soft, intimate tones enhance the feeling of being read a tender, suspenseful tale, an approach that contrasts sharply with Marias's dark and mesmerizing saga but works well. The author's graceful prose and fluid cadences engross the listener. A violent act in front of a placid Madrid cafe entangles Maria and the victim's widow. The two engage in metaphysical introspection and divergent conjecture on the murderer's motivations and the quarry's last thoughts. A.W. © AudioFile 2014, Portland, Maine
    • Publisher's Weekly

      June 24, 2013
      Marías (While the Women Are Sleeping) shows that death is hardest on those left living. Each morning María Dolz has breakfast at a cafe watching perfect couple Miguel and Luisa. One morning Miguel is stabbed to death on his birthday by a knife-wielding panhandler, a seemingly random act of madness. This rupture in María’s idyllic voyeurism causes her to intersect her life with Luisa’s, enmeshing herself in the murder’s aftermath. Yet, as the story unfolds it becomes clear that nothing is certain but death. With philosophical rigor, Marías uses the page-turning twists of crime fiction to interrogate the weighty concepts of grief, culpability, and mortality. Indeed, scattered throughout are metafictional reflections on the limits and power of literature’s hypotheticals, while María’s job at a publishing company provides comic relief in its caricatures of the vanities of writers. The novel’s power lies in its melding of readable momentum and existential depth. Through Costa’s lucid translation, the prose exhibits Marías’s trademark clarity and digressive uncertainty; a novel that further secures Marías’s position as one of contemporary fiction’s most relevant voices.

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  • OverDrive Listen audiobook

Languages

  • English

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