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Good Day to Die

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
Two cops hunt a serial killer, and a young blind woman fights to stay alive
Crossing Flatbush Avenue is never easy, and for Lorraine Cho, it’s the most dangerous part of her day. Her job as a medical report transcriber is on the other side of Flatbush—and Lorraine was blinded in an accident several years ago. She is waiting to cross one evening when a stranger offers to help. Just before they reach the safety of the sidewalk, Lorraine’s benefactor shoves her into the back of a van and speeds away. Across town at police headquarters, Roland Means toils in purgatory. A street cop with a violent streak, he’s on ice in the ballistics lab, waiting while the New York Police Department tries to decide whether he’s a psychopath or a thug. Lucky for him, a serial killer has been terrorizing New York, and Captain Vanessa Bouton needs a tough detective. Bouton wants evidence to prove a cover-up theory, and Means is willing to be cannon fodder just to get back on the street. Though neither of them knows it, Lorraine Cho’s life is in their hands.
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    • Publisher's Weekly

      October 4, 1993
      Solomita's ( A Twist of the Knife ; Bad to the Bone ) latest novel is a relentlessly talky book, filled with acts of violence unimaginatively described. Roland Means, a chronic maverick in the NYPD, is pulled from cop purgatory--ballistics duty--to go after ``King Thong,'' the supposed serial killer responsible for the murder of seven male prostitutes in New York City. Vanessa Bouton, a black cop, hates Means's guts but needs his streetwise methods to help prove her hunch that only one killing was prompted by a motive, which the other six are meant to mask. What she doesn't know (although readers learn it early) is that a psychotic couple has abducted a young blind Asian woman who is the latest victim in the bloody rampage that has claimed 23 women along with the seven gay men. To be more than simply gratuitous, the brutality of the action here calls for subtler storytelling skills than Solomita employs. Means, the first-person narrator of much of the story, is a boastful, self-centered chump of a he-man. The effect of his machismo on Bouton is predictable; nor is there much surprise in the fate of the sympathetically portrayed abducted girl. The killers' motivations are satisfyingly twisted but also have a somewhat predictable ring.

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  • English

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