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Carry the One

A Novel

Audiobook
90 of 90 copies available
90 of 90 copies available
Carry the One begins in the hours following Carmen's
wedding reception, when a car filled with stoned, drunk, and sleepy
guests accidently hits and kills a girl on a dark, country road. For the
next twenty-five years, those involved, including Carmen and her
brother and sister, connect and disconnect and reconnect with each other
and their victim. As one character says, "When you add us up, you
always have to carry the one."
Through friendships and love
affairs; marriage and divorce; parenthood, holidays, and the modest
tragedies and joys of ordinary days, Carry the One shows how one
life affects another and how those who thrive and those who
self-destruct are closer to each other than we'd expect. Deceptively
short and simple in its premise, this novel derives its power and appeal
from the author's beautifully precise use of language; her sympathy for
her very recognizable, flawed characters; and her persuasive belief in
the transforming forces of time and love.
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    • Publisher's Weekly

      Starred review from November 7, 2011
      The one that must be carried when the Kenney siblings add themselves up is the girl who was hit and killed when Nick and Alice were driving home, stoned and stupid, from their sister Carmen’s wedding. That’s the first chapter: the rest of the novel and the rest of their lives—sex and drugs and prison visits, family parties and divorce, raising teenagers, painting, politics, and addiction—play out with that guilt and loss forever in the background. Anshaw has a deft touch with the events of ordinary life, giving them heft and meaning without being ponderous. As the siblings’ lives skip across time, Carmen’s marriage, shadowed by the accident, falls apart; painter Alice’s career moves forward unlike her life, as she remains stuck on the same woman, her former sister-in-law; and astronomer Nick fights, with decreasing success, his craving for drugs. Funny, touching, knowing—about painting and parents from hell, about small letdowns and second marriages, the parking lots where people go to score, and most of all, about the ways siblings shape and share our lives—Anshaw (Seven Moves) makes it look effortless. Don’t be fooled: this book is a quiet, lovely, genuine accomplishment.

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  • English

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