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American Wildflowers

A Literary Field Guide

ebook
1 of 1 copy available
1 of 1 copy available
Organized as a field guide, a literary anthology filled with classic and contemporary poems and essays inspired by wildflowersâperfect for writers, artists, and botanists alike
American Wildflowers: A Literary Field Guide collects poems, essays, and letters from the 1700s to the present that focus on wildflowers and their place in our culture and in the natural world. Editor Susan Barba has curated a selection of plants and texts that celebrate diversity: There are foreign-born writers writing about American plants and American writers on non-native plants. There are rural writers with deep regional knowledge and urban writers who are intimately acquainted with the nature in their neighborhoods. There are female writers, Black writers, gay writers, indigenous writers. There are botanists like William Bartram, George Washington Carver, and Robin Wall Kimmerer, and horticultural writers like Neltje Blanchan and Eleanor Perényi. There are prose pieces by Aldo Leopold, Lydia Davis, and Aimee Nezhukumatathil. And most of all, there are poems: from Walt Whitman and Emily Dickinson, William Carlos Williams and T. S. Eliot to Allen Ginsberg and Robert Creeley, Lucille Clifton and Louise Glück, Natalie Diaz and Jericho Brown.
 
The book includes exquisite watercolors by Leanne Shapton throughout and is organized by species and botanical familyâthink of it as a field guide to the literary imagination.
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    • Publisher's Weekly

      July 18, 2022
      Presented as a field guide with abstract watercolor illustrations by Shapton, this anthology offers a rich compendium of classic and contemporary writings inspired by wildflowers. The table of contents reads “List of texts, arranged by species,” in keeping with the motif that allows Allen Ginsberg’s “Sunflower Sutra” to appear next to Henri Cole’s “Sunflower” (both under the header “ASTERACEAE / DAISY family”). Certain authors’ works appear in a category all their own, such as Denise Levertov’s “The Message,” in which forget-me-nots (of the order of Boraginaceae) are described as “Ripple of blue in which are/ distinct blues. Bold/ centaur-seahorse-salt-carnation/ flower of work and transition.” Whitman and Eliot appear under the Oleaceae/Olive family, while Lucille Clifton’s brief “flowers” reads: “here we are/ running with the weeds/ colors exaggerated/ pistils wild/ embarrassing the calm family flowers oh/ here we are/ flourishing for the field/ and the name of the place/ is Love.” The poems, essays, and letters collected span from the 18th century to today, making this a prismatic and dynamic work.

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  • English

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