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Cousins

ebook
1 of 1 copy available
1 of 1 copy available
Four women from La Plata, Argentina, are forced to suffer through a series of ordeals thanks to their impoverished, dysfunctional family—in this darkly comic literary masterpiece from Aurora Venturini, never before translated into English
At the age of eighty-five, Aurora Venturini stunned Argentine readers when her darkly funny and formally daring novel, Cousins (Las primas), won Página/12’s New Novel Award. She had already written more than forty books, but it was only then, in 2007, that she was widely recognized as a paradigm-shifting voice in Spanish-language literature.
Venturini never stopped writing in her ninety-two years, and produced an oeuvre that is mischievous and stylish, vital and mysterious, and completely original. She lived a life immersed in the literature and culture of the twentieth century: her first award was given to her in person by Jorge Luis Borges; she was friends and colleagues with Eva Perón; and when she lived in exile in Paris, she socialized with a sparkling milieu of writers and philosophers, including Simone de Beauvoir and Jean-Paul Sartre.
Cousins, widely regarded as Venturini’s masterpiece, is the story of four women from an impoverished, dysfunctional family in La Plata, Argentina, who are forced to suffer through a series of ordeals, including illegal abortions, miscarriages, sexual abuse, disfigurement, and murder, narrated by a daughter whose success as a painter offers her a chance to achieve economic independence and help her family as best as she can.
Neighborhood mythologies, family, female sexuality, vengeance, and social mobility through art are explored and scrutinized in the unmistakable voice of Yuna—who stares wildly at the world in which she is compelled to live—a voice unique in contemporary literature whose unconventional style can be candid, brutal, sharp, and utterly breathtaking. With the translation of Cousins into several languages for the first time, Aurora Venturini is now being discovered internationally and championed as a major voice in Latin American literature.
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    • Publisher's Weekly

      March 27, 2023
      Argentine writer Venturini makes her posthumous English-language debut with a sordid and morbidly funny tale of sexual violence, first published in 2007 when she was 85. Yuna is a gifted art student in La Plata, Argentina, who supports her disabled younger sister, Betina, and their single mother. Under the auspices of her professor José, Yuna becomes a rising star. But despite her reputation and success as an artist, she struggles to protect Betina and their cousins Carina and Petra from sexual predators, including a neighbor and another character whose misdeeds are a surprise. Yuna narrates her family’s tragedies in spiraling and sometimes spectacular run-on sentences, professing that punctuation tires her out. Through keen and quirky observations, she finds humor in the darkness, “The end of everything is dessert. I once thought when looking at a dead gentleman in a coffin enveloped by the big embroidered napkin, or whatever it is, that he looked like a dessert being served up to someone.” Cousin Petra, a sex worker, teaches Yuna that while the men in their orbit commit rape as naturally as breathing, there is always room for revenge while the wronged yet live. Short, sharp, and startling, this will surely have readers eager to see more of Venturini’s special derangement. Agent: Sandra Pareja, Massie & McQuilkin Literary.

    • Kirkus

      Starred review from March 15, 2023
      What to do when the grotesque is the norm in your family, your surroundings, your life? Make art out of it. An enigmatic young Argentinian woman with a quirky command of language, Yuna Riglos narrates Venturini's bizarre and mordant tale of misogyny and misunderstanding. She and her sister, Betina, are being raised by a strict schoolteacher mother whose husband left the household years earlier. Yuna and Betina are both considered disabled, although Yuna's difficulties are more subtle and fluid than her sister's multiple physical and emotional disabilities (some of which lead to unfortunate physical manifestations). Yuna's aunt--her mother's sister, Nen�--has two girls as well, one of whom was born with a type of dwarfism. Yuna's challenges (beyond those presented by her distressing environment) involve a lack of facility with language; for example, punctuation exhausts her, and she consults a dictionary constantly (with sometimes-comedic results) in order to record her thoughts on the events of her life. The only factor in Yuna's favor is her extraordinary talent as a painter, which allows her to convey the brutal realities of life around her and also rid herself of the "mess" in her head. Yuna and her cousins suffer a variety of assaults, crimes, and indignities at the hands and genitals of the men in their orbit, with varying degrees of damage done. Yuna's instinctive and underinformed efforts to create a more tolerable life for herself result in what may be considered growth but might not be considered success. Venturini was 85 years old and had produced more than 40 novels by the time she won an Argentinian literary prize for this work in 2007. It's now been translated from Spanish to English, for the first time, by Maude. A brutal, visceral, and vivid story told in an unforgettable voice.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      September 6, 2024
      Argentine writer Venturini (1922-2015) was 85 and had written more than 40 books prior to Cousins, which came to be considered her masterpiece when it was published in 2007. Translated into English for the first time, it is a distinctly voiced and darkly humorous coming-of-age story. Yuna and her sister Betina are both considered disabled. But whereas Betina's disabilities are outwardly visible and severe, Yuna's are related to difficulties reading and writing. She consistently relates words she discovers in the dictionary, is exhausted by punctuation, and thinks of herself as stupid and both her and Betina as freaks. Yuna's cousin Petra is another, as she was born with a type of dwarfism. Yuna takes refuge in her art, which grabs the attention of a professor who helps make a name for her. The men in Yuna's life, starting with her absent father and ending with the professor, are horrible misogynists prone to sexual assault. Venturini's writing is singular and memorable, in turn making Yuna singular and memorable. Some readers may be offended by the way Venturini discusses disability, while others may be intrigued to discover something so irreverent and offbeat.

      COPYRIGHT(2024) Booklist, ALL RIGHTS RESERVED.

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