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Fat Time and Other Stories

Audiobook
1 of 1 copy available
1 of 1 copy available
In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen's invention: two teenagers in an unnamed big city who stumble through a down-low relationship; an African preacher who visits a Christian religious retreat to speak on the evils of fornication in an Italian villa imported to America by Abraham Lincoln; and an albino revolutionary who struggles with leading his people into conflict. The two strands in this brilliant story collection-speculative history and tender, painful depictions of Black life in urban America-are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. Allen's work has been said to extend the tradition of Ralph Ellison, William Faulkner, Henry Roth, and Ishmael Reed, but he is blazing his own path through American literature. Fat Time and Other Stories brilliantly shows the range and depth of his imagination.
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    • Publisher's Weekly

      April 17, 2023
      Allen (Rails Under My Back) offers an arresting collection featuring surreal situations along with riffs on the lives of famous Black men. A misty atmosphere pervades the proceedings. The opener, “Testimonial (Supported in Belief/Verified in Fact),” reads like a tall tale, following a man trying to save his son from a lynch mob by hiding the boy inside a cow’s anus. In the title story, Allen imagines an alternate history in which boxer Jack Johnson’s first filmed fight against Tommy Burns becomes a duel to the death. Miles Davis narrates a troubled relationship with a new guitarist in “Pinocchio.” Allen renders the bandleader’s voice with welcome wit and acidity, though he’s less successful with Jimi Hendrix, the star of “Heads,” a plodding misfire that lends little imagination to the revolutionary guitarist’s inner life and leans heavily on descriptions of Hendrix drinking wine, smoking cigarettes, and staring out the window. Though some entries stumble, the author provokes with riveting images, dark humor, and a chilling sense of desperation. When Allen is on, he’s a force to be reckoned with.

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  • English

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